Anthony Chen’s ‘Somewhere in the South’ Wins TAICCA Prize as ‘Naked in Glendale’ Takes White Light Award at Focus Asia
Focus Asia, the industry section of the Far East Film Festival, concluded its 2026 edition in Udine with both prizes going to first-time directors. Haohao Yan’s “Naked…
Anthony Chen’s ‘Somewhere in the South’ Wins TAICCA Prize
The 2026 edition of Focus Asia, the industry segment of the Far East Film Festival held in Udine, Italy, concluded with significant accolades awarded to emerging filmmakers. Notably, Anthony Chen’s film, “Somewhere in the South,” captured the prestigious TAICCA Prize, recognizing outstanding contributions to the Asian film industry.
Emerging Talent Celebrated
Focus Asia has established itself as a platform for showcasing new talent and innovative storytelling within the Asian cinema landscape. This year’s festival highlighted the works of first-time directors, underscoring a commitment to nurturing fresh voices in film. Chen’s “Somewhere in the South” was particularly noted for its poignant narrative and artistic direction, which resonated with both audiences and critics alike.
‘Naked in Glendale’ Takes Home the White Light Award
In a parallel achievement, Haohao Yan’s “Naked in Glendale,” a Chinese-American coming-of-age film, was awarded the inaugural White Light/Focus Asia Award. This accolade, accompanied by a cash prize of $20,000, was presented to Yan, marking a significant milestone in his directorial career. The film, produced by Jane Zheng of Seesaw Productions and Julia Xu of Q&A Entertainment, has been praised for its relatable themes and engaging storytelling.
Significance of the Awards
The TAICCA Prize and the White Light Award not only celebrate individual achievements but also reflect the broader trends in the Asian film industry. The recognition of first-time directors indicates a shift towards embracing new perspectives and innovative narratives that challenge traditional storytelling methods. Both films have been lauded for their ability to connect with audiences through universal themes of identity, belonging, and personal growth.
Conclusion
As the curtains fall on this year’s Focus Asia, the successes of Anthony Chen and Haohao Yan serve as a reminder of the vibrant and evolving nature of Asian cinema. With these awards, both directors are poised to make significant contributions to the film industry, paving the way for future storytellers. The festival continues to be a vital space for fostering creativity and collaboration within the global film community, reaffirming its role as a catalyst for emerging talents.